At a minimum, you need an interface with two line outputs (on top of your main monitor outs) and two line inputs. Larger studios may actually need to use multiple audio interfaces depending on how much outboard gear they have.Īn audio interface with many ins/outs will allow you to send signal to a substantial number of outboard units and record multiple tracks at once. It converts analog signal to digital signal and vice versa, meaning you require an audio interface to connect analog equipment to your computer. The keystone of a studio containing outboard gear is undoubtedly the audio interface. Plugin Alliance, Slate Digital, and Soundtoys also make very powerful analog-modeled plugins, and they don’t require the use of dedicated hardware. However, the caveat is that you need to own one of Universal Audio’s interfaces to run their plugins. The company modeling analog equipment the best, in my opinion, is Universal Audio with their UAD plugins. Software manufacturers are now capable of recreating the sound of hardware processing units with pinpoint accuracy.
There’s a sound quality, ease-of-use, and fun component associated with adding outboard gear to your studio I’ll be showing you how you can effectively integrate this type of equipment into your existing setup.īefore catfishing you into rather expensive music production territory, I should mention that a lot of outboard gear is available in the form of analog-modeled plugins. In today’s musical climate, you can make fantastic music using just your computer, but that doesn’t mean that outboard gear like hardware compressors, EQs, reverbs, delays, and mic preamps are irrelevant. There’s nothing quite as exciting as walking into a studio packed to the brim with analog equipment.
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